The tension generated by Diane Victor’s impressive body of drawings and prints arises not simply from her biting social commentary and the sometimes macabre nature of her images and narratives, but from an interplay between the tough and the fragile, between the hard edges of her visual narratives and the delicate mark-making and fragility of her preferred media.
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Read the whole article at David Krut Publishing
by Leora Maltz-Leca, Kate McCrickard, Judith Mason, Anne Sassoon Paul Stopforth is known in South Africa for work that comments on the harshness and injustices of life under apartheid. His art – comprising sculpture, drawing, painting, and printmaking – is not, however, narrowly political but instead occupies a space ‘between the material and the spiritual, [...]
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5 June 2009 I have just had a call from my printers to be on press tomorrow morning at 7 am for the last leg of the Sebidi book journey – well not quite the last leg, since I will have to think about the marketing and distribution of the book for the next couple [...]
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Kathryn Straughan and Rayda Becker. TAXI-007: Noria Mabasa. 2003. Johannesburg: David Krut Publishers. Taxi Art Book. R150,00. Wilhelm van Rensburg. Noria Mabasa: Educational supplement. 2003. Johannesburg: David Krut Publishing. Taxi Art books are sponsored by: The French Institute of South Africa (IFAS); Pro Helvetia Liaison Office, the Swiss Agency for Development and Cooperation; the Royal [...]
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